Priced at US$250 -- the same as the ELPH 300 HS model it replaces -- the Canon PowerShot ELPH 110 HS looks to be a relatively straightforward update to the earlier camera with similar styling and the same lens. As with its predecessor, it's a camera for somebody who favors an approachable, straightforward design with attractive styling over all the latest bells, whistles, and buttons.
Canon PowerShot ELPH 110 HS Specifications
Resolution: 16.10 Megapixels
Lens: 5.00x zoom
(24-120mm eq.)
Viewfinder: LCD
LCD Size: 3.0 inch
ISO: 100-3200
Shutter: 15-1/2000
Max Aperture: 2.7
Dimensions: 3.7 x 2.2 x 0.8 in.
(93 x 57 x 20 mm)
Weight: 4.8 oz (135 g)
includes batteries
Sensor resolution has been increased appreciably--if not dramatically--from twelve to 16 megapixels, from a CMOS image sensor. A 5x optical zoom lens provides a 35mm-equivalent range of 24-120mm, a generous wide-angle to a moderate telephoto. Maximum aperture varies from f/2.7 to f/5.9 across the zoom range. Sensitivity varies to a maximum of ISO 3,200 equivalent, unchanged from the 300 HS. Burst shooting is possible at up to 5.8 frames per second, although it isn't clear whether this is at full resolution.
The control layout has been tweaked slightly, moving the mode switch to the top panel, and making the Menu button smaller and more distinct from those around it. These changes have freed up just enough space to increase the size of the LCD panel from 2.7 to 3.0 inches, providing a little bit more room on which to preview and review your images.
Helpfully, Canon has included a true optical image stabilization system in the ELPH 110 HS, which combats blur from camera shake, and this has been upgraded from that in the preceding model. The 110 HS includes the same Intelligent IS image stabilization system which we saw previously in Canon PowerShot models announced last Fall, which offers six different modes of operation, taking account of different shooting situations such as shooting macro photos, panning to follow action, or shooting with the camera mounted on a tripod, and configures the IS system appropriately. It also provides for a greater range of correction when shooting movies.
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